When a work echoes off of another it can produce reverberations. I imagine a voice for derek beaulieu’s letraset concrete poem Prose of the Trans-Canada, a lyric voice insisting insisting insisting on its own reproducibility.
—Valeria Tsygankova
THIS IS THIS DRESS, [AIDER]
During Feb and Mar 2012, in collaboration with the Kelly Writers House, we will be hosting materials for
Philadelphia Lawyer (clever, shrewd attorney) :
Poet = Ped[et al.]agog = Idea[l]log ?
a talk series exploring the competing ideologies investing differential practices of critique in Philadelphia, at the University of Pennsylvania, of the KWH, or elsewhere. We welcome submissions of essais that enact complication between university scholarship and its "alternatives".
Talks will take place on February 23 and March 22, at KWH, hosted by CARA BENSON, in collaboration with speakers MARCELLA DURAND and PATTIE MCCARTHY.
Below can be found works with [by] others, in response to the question, What is practice-based criticism?
